Tracing the activity of more than 1,300 women who exhibited more than 7,000 works of art across genres in London’s and Paris’s premier exhibition venues over the course of the Revolutionary era, A Revolution on Canvas: The Rise of Women Artists in Britain and France, 1760-1830 demonstrates that women artists professionalized in significant numbers a century earlier than we have previously thought.

– Named one of the top art books of 2022 by The Art Newspaper 

– Named one of the top art books of 2022 by The Conversation

– Winner of the NACBS 2023 Stansky Book Prize for the best book on British studies after 1800

– Winner of the Historians of British Art Book Award for Exemplary Scholarship on the Period between 1600-1800

– Received the American Society for Eighteenth-Century Studies’ Louis A. Gottschalk Prize, Honorable Mention, for an outstanding historical or critical study on the eighteenth century

– Shortlisted for the William MB Berger Prize for excellence in the field of British art history

“This publication…might be one of the most anticipated art history books of the year” — Sotheby’s Old Master Minute

“Revelatory” — Sebastian Smee, The Washington Post

“The book is not only engrossing and stuffed with ravishing images, but also offers a truly pioneering rebuttal to ‘revisionist’ art history by claiming that, in this case, no revision is needed: women artists were already great.” — Eliza Goodpasture, The Conversation 

“It blows apart the clichéd but hard-to-shift notions of women artists as few in number, pursuing careers that blurred the lines between professional and amateur […] An important contribution to the field.” — Tabitha Barber, The Art Newspaper

“This beautiful volume demolishes the historical fallacy of women’s absence with scholarly rigor and visual splendor.” — Stansky Book Prize

“A Revolution on Canvas is a book that fills a true lacuna in extant scholarship … a welcome, beautifully constructed, and much-needed addition to our field… [a] major correction to the notion that women inevitably accepted exclusion from the world of art in the eighteenth century.” — Louis A. Gottschalk Prize

Order information available here for the US, and here for the UK. Preview here.

Book Talk

Conversation with Joseph Koerner at Brookline Booksmith.

 

Notice

Yasemin Altun, Review in Journal18 (May 2023)

Clare Bucknell, “Don’t wait to be asked,” London Review of Books 45, no. 5 (March 2, 2023)

Heidi A. Strobel, Review in Nineteenth-Century Art Worldwide 22, no. 1 (Spring 2023)

Eliza Goodpasture, “The best art books of 2022,” The Conversation (December 22, 2022)

Jacqueline Riding, “Some of the top art books of 2022,” The Art Newspaper (December 2022)

Gabrielle Stecher, Review in ABO: Interactive Journal for Women in the Arts, 1640-1830 12, no. 2 (Winter 2022)

Peter Saenger, “Women at Work,” The Wall Street Journal (October 8-9, 2022)

Royal Academy Magazine (September 1, 2022)

William Shipley Group for RSA History Bulletin 74 (September 2022)

Lapham’s Quarterly Roundtable (August 15, 2022)

Critic’s pick, “The Critic’s Notebook,” The New Criterion (July 19, 2022)

Norma Clarke, “Pioneering Paintresses,” Literary Review (July 2022)

Tabitha Barber, “New book reveals how women artists in the ‘Age of Revolutions’ confound stereotypes,” The Art Newspaper (July 4, 2022)

“Off the Shelf: Apollo’s selection of recently published books on art, architecture, and the history of collecting,” Apollo (May 2022)

 

Media

“New Books – Paris Spies-Gans,” History: the Journal of the Historical Association, https://historyjournal.org.uk/history-new-books/

David Marcus, “Paris A. Spies-Gans Is Pulling Women Artists Into Mainstream Art History,” Princeton Alumni Weekly (January 30, 2023)